| 131 |
At IFFI 2025, Tribeny Rai’s Shape of Momos Brings Everyday Sikkimese Lives to Centre Stage |
28-11-2025 |
Digital Media Wing |
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| 132 |
IFFI Closes International Section on a High with Thailand’s Surreal Gem ‘A Useful Ghost’ |
28-11-2025 |
Digital Media Wing |
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| 133 |
IFFIsiasts relished Japanese ‘A Pale View of Hills’ on the Last Day of 56th IFFI |
28-11-2025 |
Digital Media Wing |
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| 134 |
‘Open Air Screenings’ opens IFFI’s door for localites |
27-11-2025 |
Digital Media Wing |
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| 135 |
‘Gondhal’ Brings Maharashtra’s Midnight Myth and Music Alive at IFFI |
27-11-2025 |
Digital Media Wing |
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| 136 |
New North-East Cinema discussion : Voices, Vision, and the Future of Film Education |
27-11-2025 |
Digital Media Wing |
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| 137 |
IFFI Celebrates Birth Centenary of Acclaimed Cinematographer Shri K. Vaikunth with Release of Commemorative Postal Stamp |
27-11-2025 |
Digital Media Wing |
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| 138 |
From Personal Struggles to the Oscars: Colombian Film ‘A Poet’ Shines |
27-11-2025 |
Digital Media Wing |
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| 139 |
“Now You Will See the Movie As It Was Made”: Ramesh Sippy Celebrates 50 Years of Sholay at IFFI 2025 |
27-11-2025 |
Digital Media Wing |
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| 140 |
WAVES Film Bazaar 2025 Concludes with Record International Participation, Strategic MoUs and over ₹1050 Crore Business Leads |
27-11-2025 |
Digital Media Wing |
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