| 281 |
Cinema, Memory and Legacy Converge as Curtains Lift on ‘Maa, Uma, Padma’ |
24-11-2025 |
Digital Media Wing |
Link
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| 282 |
Writing is Emotion Imagined, Editing is Emotion Experienced: Raju Hirani |
24-11-2025 |
Digital Media Wing |
Link
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| 283 |
“IFFI is where you celebrate cinema and watch films from around the world”: Director Agni |
24-11-2025 |
Digital Media Wing |
Link
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| 284 |
From Mountains of Tashkent to the Remote Villages of Slovakia, Compelling Human Stories Reach the Silver Screen at IFFI 56 |
24-11-2025 |
Digital Media Wing |
Link
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| 285 |
‘Lala & Poppy’ Pushes the Mainstream Forward: Cast and Crew Share the Making of a Boundary-Breaking Film |
24-11-2025 |
Digital Media Wing |
Link
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| 286 |
Truth Meets Tenderness as Pike River and De Tal Palo Stir Hearts at IFFI-2025 |
23-11-2025 |
Digital Media Wing |
Link
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| 287 |
Japan’s Country Focus Films “Tiger” and “Seaside Serendipity” Spotlighted in Media Interaction |
23-11-2025 |
Digital Media Wing |
Link
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| 288 |
Three Cinematic Worlds Unfold at IFFI as ‘Nilgiris,’ ‘Mu. Po. Bombilwadi,’ and ‘Sikaar’ Take Centre Stage |
23-11-2025 |
Digital Media Wing |
Link
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| 289 |
Anupam Kher Illustrates Why ‘Giving up is not an option’ in a masterclass |
23-11-2025 |
Digital Media Wing |
Link
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| 290 |
From Trauma to Triumph: The Powerful Story of 12-Year-Old Girl ‘Karla’ Captivates Cinephiles at IFFI-2025 |
23-11-2025 |
Digital Media Wing |
Link
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